Today!

Today shall be a day of work. Yes. And a bit of playing Divinity 2: Ego Draconis, of which a review will appear soon in both my blog and Verena’s. But mostly work. Phenomenon 32 work, looking-for-a-honeymoon-destination work, and of course the secret work that you don’t know about (muahaha).

More blog posts are likely to follow later today, but until then enjoy one of Tom Waits’ most beautiful songs, and a rather odd video.

Do listen to this, even if you didn’t like some of the other songs of his that I posted. It’s fantastic. Also a great song to listen to if you’re depressed:

Come down off the cross,
We can use the wood.

If that’s not the best line ever, I don’t know what is.

Jonas Rambles On, Episode 1

And now for something completely different: a fresh and minty podcast! Yes, from now on this website shall feature its own delicious podcast, full of utter nonsense that no-one in their right minds wants to hear! Uh, I mean, its own incredibly interesting podcast about topics so profoundly interesting, they will make your brain melt.

Or maybe it’s just a chance to listen to a writer and game designer you like rambling on about anything he’s currently interested in. Hey, it might be fun.

In today’s episode: Phenomenon 32, The Great Machine: A Nightmare, various thoughts about art and the artist, a complaint about RPGs, and a short note on the importance of feedback. The name of the podcast is probably just temporary, until I come up with something I like.

Music: “Serenity” from the album Sedative, by BLUnderwood.

 

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Jonas Rambles On by Jonas Kyratzes is licensed under a Creative Commons Attribution-Non-Commercial-No Derivative Works 3.0 Unported License.

The Unbearable Idiocy of People

I have an annoying problem: I’m often polite to idiots. I don’t know where I caught it, and why it keeps recurring, but it’s an unpleasant issue.

Now, I’m used to being treated in a condescending “you don’t belong in this shop” kind of way by some people. I have long hair and a beard, which means I’m clearly not human, and I tend to dress in simple and comfortable clothing, which is just not acceptable. This type of idiocy is fairly common, and if I tried to tell every person off who treated me strangely for my looks, well, that would just be tiresome.

But some people are extra stupid. Some people’s idiocy is a thing of power, almost a separate entity of its own… a gift or a curse from a force greater than all of us… something approaching Pure Idiocy, or perhaps an Idiotic Black Hole.

This is particularly impressive when combined with a good dose of arrogance and a super-sized share of incompetence.

Like the guy in the copyshop where we went to print the menus for our wedding feast. The idea was to print on both sides of an A4 sheet, two pages per side, so that it could be folded and turned into a nice 4-page menu. I’ve done this kind of thing before, and in most cases the best way of doing it was to create two PDFs: one with pages 4 and 1, the other with 2 and 3. If you print these properly, everything is in the right place for folding.

Unfortunately, the copyshop where we normally go was closed, so we went to another one. And the first thing this guy told us was “Hmm… Uhh…. Oh. You meant well, but you did it all wrong.” He proceeded to repeat this several times as he tried to rearrange the files to do what he wanted them to do. Fifteen minutes later, we had about five printed versions of the menu, all of them completely wrong, and the guy was still telling me how I had done it all wrong, and how the printer couldn’t do what I had wanted it to do. I was becoming more and more frustrated, especially as I could see that the printer was perfectly capable of doing what I wanted it to do – in fact it was doing so right in front of my eyes, just in the wrong order. When I tried to explain what we wanted him to do, he patiently explained why it wasn’t possible… using arguments that made no sense at all. When I said that I didn’t understand what he meant, the shop owner kicked us out of the shop for being idiots.

Seriously. We got kicked out of a copyshop.

Then we went to another one and printed the thing correctly in about 15 seconds.

But why, why in the name of Cat did I not go back and tell this person that even the clumsy and not-terribly-good employee at the other shop had had no problem printing what we wanted? That in fact this is a pretty standard way of doing things, and that talking to us as if we are the biggest idiots in the universe isn’t exactly appropriate? Why did I leave him with his smug idiocy?

And today we had the case of the wonderful travel agent. You see, we want to go on our honeymoon soon, and we’re trying to pick a good place to go. We’ve seen dozens of offers on the internet that might interest us, but we thought a travel agent might have some good recommendations, or be able to book places you can’t get otherwise. So we went to the travel agency, and talked to the young lady there. First thing she did was tell us that she is working alone this week, and that she already has a lot of research to do. OK, fine, but she still wanted our money, right? Well, we told her what we wanted. Rather understandable parameters, I’d say: beach, sun, within a certain amount of money, could be Caribbean but certainly wouldn’t mind Meditteranean, would prefer not to stay in one of those Huge Motherfucking Hotels, would like to stay for approximately 3 weeks. And what does this wonderful travel agent do? She keeps very condescendingly repeating that we should really have a clearer idea of what we want, because what we’re telling her is so broad, it’s really useless. I say that we were hoping she might have an idea, a recommendation, a special offer or something. “What do you mean by special offer?” she asks. “Some of our customers,” she says, “go honeymooning in Canada in an RV, others prefer a luxurious hotel in Mauritius…”

Canada? CANADA? I mean, nothing against Canada, but it ain’t exactly big on the sunny beaches and high temperatures, is it now? She kept repeating this nonsense as if it was an argument. “What did you expect?” she said. “You do have to do your homework, you know. This is your honeymoon. You should have an idea of what you want to do.”

Now why in Cat’s name did I not jump up and say “Lady, the only reason people like you still have jobs is because they are supposed to have more knowledge and ideas about travelling than other people. If we knew exactly where we wanted to go, WE WOULD BOOK IT ON THE FUCKING INTERNET!”

Instead, I did my best not to look at the young lady stupid bitch, and agreed with Verena (who was also seething on the inside) that we needed to think about it a little more, and walked out. And she went on to smugly confuse the next customer, who couldn’t know that this travel agent knows nothing and makes you pay for her incompetence.

I’m not always like this. The other day, when we were watching Harry Potter and Half-Baked Plot, a group of people in front of us were behaving so annoyingly it was simply incredible. I said nothing when the lights went out and they turned on their cellphones. I said nothing when they started waving about in front of us to signal their friends, causing about 5 people to be unable to see the beginning of the film. But when they pulled out flashlights to signal their friends, and started shining them in our faces… then I said “Are you insane?” To which one of them, a short-haired woman of about 50, smugly replied “Yes, we are.” (There is no-one more pathetically sane than the kind of people who go around telling themselves they are crazy.) To which I then said “No, you are ARSEHOLES with NO RESPECT FOR ANYONE ELSE” loudly enough to be heard at the other end of the fairly large cinema. That shut them up, more or less. The people who had been blinded by their flashlights were happy. And I felt like a tiny bit of order had been restored to the universe.

Should we explode everytime we encounter idiocy? No, because that’s just too exhausting. But if we never speak up, we’ll get used to letting idiots have their way – and that will always have catastrophic results.

Eleven Saints

And now for some music with Jason Webley and Jay Thompson. (“These people watched too much Monty Python growing up.” – our friend Sebastian, upon seeing this.)

Enjoy the insanity!

P.S. The reason cats do not go to heaven is because it’s not fancy enough for them.

And another new site…

So today you get two new sites instead of just one. As if the wonderfulness that is Bob the Spider wasn’t enough, now you can also follow Verena’s blogging on her own page.

If you don’t know who Verena is, well, she’s a very funny writer, the person who created the graphics for Desert Bridge, a talented director and actress and singer and painter, and my wife. She decided to start her blog with a review of the not-so-wonderfulness that was the new Harry Potter film, amusingly called Harry Potter and the Half-Baked Plot. Go and read it, and be nice. As I said, she is a very talented and funny writer, and I think she will be an excellent blogger. And she deserves all the support we can give her, because you really want to read her novels.

Jonas Kyratzes Proudly Presents…

The internet has just entered a new era. When a truly great individual comes into the world, everything changes – and after this day, the world will never be the same again*. Your life will never be the same again. Ice cream will never look the same again. Stephen Fry will never taste the same again. Blocks of stone will never weigh the same again, and neither will horses.

I proudly present the only website guaranteed to bring you the truth and nothing but the truth:

BobTheSpider.com

It has begun. Rejoice! (And become Bob’s fan on Facebook!)

* Except in most ways.

So what now?

The last few weeks have been extremely eventful. We went to Greece, my cousin got married, I had a lot to do at work, I made the Phenomenon 32 preview, and so on. And we got married. (Yay!)

So what’s coming up from this small corner of the planet? Quite a lot, but I can’t promise any exact dates yet. Verena and I are working hard at making the jump to doing all of this – the creative things that are our mission in life – on a larger, “professional” level. (I tend to use the word professional in a different sense usually. Here it means creating art as one’s primary occupation and source of money, but not for the money.) This means, amongst other things, that we’re working on expanding our presence on the internet. Verena will be getting her own page and several of our projects will have sites (or at least domains) of their own soon. Some of these you haven’t heard of yet, others have been flying around for five years.

When the times comes, we will need your help. The fairly small (for internet standards) push that the Phenomenon 32 preview got already made a huge difference in terms of exposure. If you’ve read or played or seen anything we’ve made, you know we believe in our work and aren’t just in it for the money or the fame. But there is so much more to accomplish, so many amazing projects that just need bigger budgets… so if you’ve enjoyed our work so far, if it means something to you, by supporting us you will enable us to give shape to many more dreams.

For now, I’ll keep on searching the plugin archives and grinning to myself about Bob the Spider. I’ll let you know when the time comes to push.

Thank you all for sticking with us so far. This is just the beginning!

Married! (now with photos)

As of yesterday, Verena and I are married.

And yes, that is awesome.

Regular updating will begin again on Sunday. For now, a nice dinner with my cousins and our friend Ivo, and tomorrow the grand wedding feast.

Local Homes for Local People. Germany to the Germans. Are we in V for Vendetta?

So, the supposedly “liberal” government of Gordon Brown (whom a whole lot of people are still fawning about) has now decided that they need new legislation to protect social housing from evil immigrants.

[from Britain: Government housing bill promotes nationalist “local homes” policy] Introducing the government’s new legislative programme for housing, Brown claimed its intention was to ensure local authorities are able “to meet housing needs of people in their areas.” To this end, he proposed that “local” people are given priority on social housing waiting lists.

The strategy document released by Downing Street states, “There is a perception that allocation policies for social housing are unfair, inflexible and act as a barrier to people being able to move when they need to.”

Citing “perception” is a means of concealing the fact that anti-immigrant sentiments have been encouraged by the incessant promotion by the right-wing media of the lie that migrants and asylum-seekers receive preferential treatment from the welfare state.

Oh, some of you might say, but it is a difficult situation, with all those foreigners taking up all the space. Well, the reality is rather different:

A survey by the Institute of Public Policy Research found that 64 percent of people who arrived in the UK within the last five years live in private rented accommodation; and just 11 percent of these new arrivals get help with housing—of which almost all are asylum-seekers.

Most migrants rent from the private sector and suffer some of the worse substandard housing facilities in the UK.

After five years, when many immigrants are able to get residency and become entitled to government help, just one in six live in social housing—the same proportion as those who were born in Britain. Immigrants to the UK over the past five years make up less than 2 percent of the total number of people living in social housing.

Context is everything, and in this case the context shows one thing very clearly: this isn’t about the reality of the housing situation, but about using racism as a way of winning votes. And it should remind anyone with the slightest bit of historical knowledge of Germany in the 1930s. It’s the exact same type of language, the exact same type of demands: Germany to the Germans, out with the foreigners… and then let’s relocate those pesky Jews.

And that is profoundly frightening.

Harold Bloom and the Death of Art

“Poetry fettered fetters the human race. Nations are destroyed, or flourish, in proportion as their poetry, painting, and music are destroyed or flourish!”
– William Blake

Let’s start with this: an excellent article by Stephen King on Harry Potter and reading in modern society. [Warning: do not read it if you haven’t read the Potter books, because it spoils them completely. And if you think the books are silly or beneath you, you are a silly person. You can understand this post without reading King’s article.]

There’s one quotation from near the end which I particularly liked, and which is the basis of this post.

I began by quoting Shakespeare; I’ll close with the Who: The kids are alright. Just how long they stay that way sort of depends on writers like J.K. Rowling, who know how to tell a good story (important) and do it without talking down (more important) or resorting to a lot of high-flown gibberish (vital). Because if the field is left to a bunch of intellectual Muggles who believe the traditional novel is dead, they’ll kill the damn thing.

And that is the essence of the problem with modern academia and people like the despicable Harold Bloom (who, incidentally, hates both Rowling and King). Not only do they have a terrible idea of what makes a good novel (something as obscurantist and incomprehensibly written as possible, with little to nothing real to say about the world), they also want the novel to be dead. The idea that “no-one reads anymore” and “all the good novels were written in the past” is essential to their understanding of art: that it’s something exclusive that only they and their buddies can understand. If it’s popular (i.e. King or Rowling) then it must be bad. If they had lived in Shakespeare’s times, they (like many others) would have thought him mediocre; they would have said the same about Dickens or Chesterton or Mark Twain or any other great artist popular in his own time.

But people like Harold Bloom aren’t just glorifying a past they intentionally distort: they’re strangling the present. To a large degree thanks to them, the current attitude towards art in our society is deeply unhealthy. It’s not just that some writers get overlooked – that has always happened and probably always will, to some degree. And it’s not just that some academics wouldn’t recognize a great novel if someone hit them repeatedly in the face with it (Harold, I’m thinking of you) – no, even readers think lowly of what they enjoy reading. Millions of people read Stephen King, and there’s good reason for it: not just because his books are often exciting or scary, but because they’re full of wonderful observations of modern society, strong and memorable characters, powerful themes that are relevant and important, and on a sentence-to-sentence level, simply fantastic writing.

But how many of these readers are aware, when they’re putting away It or Duma Key, that they’ve just read a literary masterpiece? Almost none of them. “I know it’s just Stephen King,'” they say, “but I kinda like it.” As if reading something enjoyable has to be justified. As if art must, by definition, be unpleasant to be meaningful. It is one of the best novels ever written about childhood and childhood friendships. Duma Key is a deeply thoughtful work about friendship, fatherhood, the human body, and art. They are also exciting and funny and scary – like a good Shakespeare play.

King makes another very useful observation:

And, of course, the bigheads would never have credited Harry’s influence in the first place, if the evidence hadn’t come in the form of best-seller lists. A literary hero as big as the Beatles? ”Never happen!” the bigheads would have cried. ”The traditional novel is as dead as Jacob Marley! Ask anyone who knows! Ask us, in other words!”

But reading was never dead with the kids. Au contraire, right now it’s probably healthier than the adult version, which has to cope with what seems like at least 400 boring and pretentious ”literary novels” each year.

You see, a great many kids still read. It’s when they turn into adults that they stop. And why is that? It’s because when they’re adults, the books they are expected to read are shit. The critics haven’t applied their disgusting ideas to children’s literature as much (yet) – if only because they don’t take it seriously in the first place. What children read is considered to be mostly stupid anyway, so they have much greater leeway when it comes to reading books they like. But as they grow older, they are taught that the kind of books they enjoyed were stupid, now it’s time to read something boring. Something that no-one but professional critics would really read in the first place; something that people mostly praise because they think they ought to, not because it actually did something for them.

That’s what Harold Bloom and his intellectual bedfellows (like the equally idiotic Theodor Adorno with his hatred of anything modern) are selling us: the death of art. Because what is art if not the ability to reach out and touch people? The ability to talk about the things that make us human, both good and bad? What is art if not imagination and craft combined into something that transcends both?

Art, Mr. Bloom, is not your exclusive boys’ club. It’s a living, breathing entity, a force that is alive now, not just in your silly and outdated idea of a canon. It shouldn’t be populist, but it has every right to be popular. And I hope that one day it crushes you and your accomplices, you stranglers of dreams, because the alternative is too terrible to consider.